Saturday 29 October 2011

AG1086A Concept Development: Dolphin & Whale Sound Plus Ecco Game

All these videos are all for refence point for my final product

Dolphin Talking

Ecco the Dolphin (HQ) - Stage 1: Start


AG1086A Concept Development: Human Ear


The human ear has three main sections, which consist of the outer ear, the middle ear, and the inner ear. Sound waves enter your outer ear and travel through your ear canal to the middle ear. The ear canal channels the waves to your eardrum, a thin, sensitive membrane stretched tightly over the entrance to your middle ear. The waves cause your eardrum to vibrate. It passes these vibrations on to the hammer, one of three tiny bones in your ear. The hammer vibrating causes the anvil, the small bone touching the hammer, to vibrate. The anvil passes these vibrations to the stirrup, another small bone which touches the anvil. From the stirrup, the vibrations pass into the inner ear. The stirrup touches a liquid filled sack and the vibrations travel into the cochlea, which is shaped like a shell. Inside the cochlea, there are hundreds of special cells attached to nerve fibers, which can transmit information to the brain. The brain processes the information from the ear and lets us distinguish between different types of sounds. 

No Author,No Date  THE HUMAN EAR [Online] http://www.ndt-ed.org/EducationResources/HighSchool/Sound/humanear.htm [Accessed] 29 October 2011

 

Focus: Why the Inner Ear is Snail-Shaped

Published March 3, 2006  |  Phys. Rev. Focus 17, 8 (2006)  |  DOI: 10.1103/PhysRevFocus.17.8

Cochlea’s Graded Curvature Effect on Low Frequency Waves

D. Manoussaki, E. K. Dimitriadis, and R. S. Chadwick
Published March 2, 2006
+Enlarge image Figure 1
Getty Images
Spiral with a purpose. Calculations show that the inner ear organ is shaped like a snail shell (above) in order to boost sensitivity to low frequencies.
Observers have long wondered whether the snail-like shape of the cochlea–the organ of the inner ear–improves hearing or merely saves space. Now, in the 3 March PRL, researchers calculate that its spiral shape effectively boosts the strength of the vibrations caused by sound, especially for low pitches.
When sound waves hit the ear drum, tiny bones in the ear transmit the vibrations to the fluid of the cochlea, where they travel along a tube that winds into a spiral. The tube’s properties gradually change along its length, so the waves grow and then die away, much as an ocean wave traveling towards the shore gets taller and narrower before breaking at the beach. Different frequencies reach their peak at different positions along the tube, which allows the cochlea to distinguish them. Researchers have shown that the spiral shape of the cochlea has no effect on this peak position–theoretically, a straight, unrolled cochlea ought to function identically. But it turns out that the spiral shape does have a useful function–it enhances the vibrational motions that translate into nerve signals, according to the new work by Daphne Manoussaki of Vanderbilt University in Nashville, Tennessee, and Richard Chadwick and Emilios Dimitriadis of the National Institutes of Health in Bethesda, Maryland.
Because the spiral makes the mathematics very complex, the researchers used a highly idealized model for other aspects of the cochlea. Like previous workers, they found that the curvature had little impact on the average vibrational energy traveling along the tube. However, their calculations showed that, as the wave progresses, this energy increasingly accumulates near the outside edge of the spiral, rather than remaining evenly spread across it. Low frequencies travel the furthest into the spiral, so the effect is strongest for them. Since the cells that detect the vibrations respond especially well to pressure differences between the inner and outer edge, this concentration of sound intensity translates into higher sensitivity.
The researchers liken the sound propagation to the “whispering gallery modes” first described for London’s St. Paul’s Cathedral, where even quiet sounds can travel long distances, skipping along a cylindrical wall without losing energy. For vibrations traveling along the cochlea, however, the gentle spiral adds a new twist: The increasingly tighter turns ensure that the rays of sound will “focus” steadily closer to the wall.
Researchers have traditionally used straight channels to mimic or model the cochlea. “Up until now, there was no reason to make it curved,” says Chadwick, but in light of these results, “people can’t ignore that [the spiral] is doing something at low frequency.”
In research on hearing, “the vast majority of the effort has been going into understanding the properties of the cells and the proteins,” observes Christopher Shera of Harvard Medical School in Cambridge, Massachusetts. What makes this work surprising and important, he says, is its illustration that “the gross geometry of the entire structure is contributing to amplifying these low frequencies.”

Monroe D, 2006[Online] Focus: Why the Inner Ear is Snail-Shaped http://physics.aps.org/story/v17/st8 [Accessed] 29 October 2011

Friday 28 October 2011

AG1086A Concept Development: Indepth Whale Ear Info


http://www.youtube.com/watch?v=AtYWMRX0OZU

I first seen this  documentary on Channel 4 and found it very intresting and intreaging as i am doing a project on human and underwater mammals ears i found this clip helpful espically at about the 2 minute mark through to around 4 minutes as this video clip explains how whales and dolphins use there ears for hunting and location were they are and where they are going.

AG1086A Concept Development: Ainmation ideas for final concept

These videos give me an idea of hoe i my construct an animation for my underwater sound scape if i decide that is how i would like to showcase my work at the final submission.        


 In my first video clip it show  some activity of what happens in a small barrier reef but i chose this video not for what the view can see but what can be heard during this clip as it can give me a starting point for when i start recording and editing my sound effect to go into my sound scape.


http://www.youtube.com/watch?v=1XTS0Dl_OQs&feature=related
My second video clip lets me heard more sounds which could appear in the sea under the water like and it helps me define exactly which sounds to use to get the best underwater experiance for my viewer/listener after i hve developed my sound scape.
 

My third video is just more under water sounds i can use for ideas.