Dissertation Skeleton

Imaginative Thinking

Creative Sound Production

Craig Johnston

University of Abertay Dundee

Institute of Arts, Media and Computer Games

May     2012

Abstract

Introduction

Research Question

Methodology

Aim & Objectives

Background Research

• Noise Pollution
• Sound design (underwater)
• Animation Evaluations (underwater)

Literature Review

• Hearing Ranges
• Microphones
• Sound Disorientation
• Hydrophones
• Underwater Recording

Recordings

1. Place I recorded
2. What I was recording
3. Equipment set
4. Session Log
5. Evaluation of recording session

Interviews

1. Who I interviewed
2. Where the interview took place
3. What questions I asked
4. Written dialog of interviews

Testing

1. What I am testing
2. Who I have tested i.e. (friends, peers and professionals)
3. What the results where

Conclusion

Summary of the future